Exhibition Views

展览呈现

Leaving the person naked, surrounded, and driven by the sound for the duration of the inescapable engagement.

Wrapped in this resonating chamber, one’s innermost consciousness sinks and swims as the sound floats.

在无法逃离的参与时间内,人们在声音里赤裸着,被其紧紧包围和驱使。在这个共鸣腔的包裹中,人们的内心深处的意识也随着声音的漂浮沉降和游走。


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This exhibition attempts to instrumentalize a resonance chamber for the “intimate space” of human relationships, trying to stimulate the boundary of intimacy that is generated by the entanglement and intertwining of the consciousnesses of each other under the bursting sound of the space. Naturally occurring relationships of varying degrees of sound in the space are recorded, and the resulting bodily actions are carefully distorted and amplified by the installation. Leaving the person naked, surrounded, and driven by the sound for the duration of the inescapable engagement. The frequency tuning of the installation release and transform the tension of the intimate relationship under the subconscious consciousness, and the reverberation of the space accompanies people to step into a shivering sensual experience.

click to scale up 点击放大

As visitors enter the space, the chambers guide them into intimate experiences with themselves and others at the latitude of sound. Naturally occurring relationships of varying degrees of sound in the space are recorded, and the resulting bodily actions are carefully distorted and amplified by the installation. 

The captured perceptions in this process generate sound passages that form spatially floating cells and organs that merge with each other and dissociate from the other. The installation attempts to open up the dynamically changing ways of perceiving that are embedded in the emotions stimulated by the mediating energy of sound in varying degrees of intimate proximity. At the same time, it questions the generation of intimate space between people not merely as a process of reception and symbolic decoding, but also as an affective resonance and life experience. The project tries to capture the latitude of sound, whether the bio-signals we recognize and transmit to each other are a process of co-tuning between the body and the mind.



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The experience of the resonance chamber is divided into one or two participants. Guided by the sound of the space, the participants feel the rhythm of his/her own breathing and gradually relax under the attunement of the resonance chamber, and then put on a microphone to capture the movements of the participants, which is distorted and amplified by the space, so that the participants can either be immersed in the experience or willing to escape. But it is unable to leave at the time of the participation.

Performances in 1933 building and heim club, shanghai, china

行为表演,1933老场坊,heim俱乐部